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Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011, by Lizzy Goodman
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Review
“Lizzy Goodman’s deliciously over-reported oral history of early-aughts New York rock, was a monument to the scuzzy magic that occurs when youth, hedonism, ambition, and talent coincide.” (New Yorker)“An evocative and gossipy oral history…Not only was Ms. Goodman there…but as our revelatory tour guide, she shrewdly jogged the memories of her protagonists…The result is an affectionate, idiosyncratic narrative of the rock scene’s erratic evolution.” (New York Times)“beautifully paced, vivid, informative and compelling… a book primarily built on passion, love and homage – a drawled rock’n’roll sonnet to the music, the bands, the city, the scene, the triumphs, the screw-ups, and, of course, ‘the moment’.” (The Guardian)“Lizzy Goodman has produced an instant classic...All the Strokes, LCD Soundsystem, Yeah Yeah Yeahs and Ryan Adams gossip you’ve ever wanted to know is right here in this epic, loving look at a very different New York City.” (Rolling Stone)“Meet Me in the Bathroom is the juiciest book on rock’n’roll in years…a thrilling, hilarious, gossip-fueled account” (Pitchfork)“Spectacular.” (Playboy)“The first great history of new york’s 21st century rock scene...thoroughly entertaining…engrossing…Meet Me in the Bathroom is a wonderful reminder that the next big thing can be right around the corner.” (Spin)“I devoured Meet Me in the Bathroom . . .That’s what it feels like to read this oral history, as if you’re in a bar or living room with all these people reminiscing and eavesdropping on all the juicy details. A perfect beach read, if there ever was one.” (Laia Garcia, Lenny Letter)“[A] gossip-fueled, engaging oral history” (Publishers Weekly)“As far as I’m concerned this book is one of the truly great New York stories.” (Rob Sheffield, The Village Voice)
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From the Back Cover
From the clubs of New York’s Lower East Side to the warehouses of Williamsburg—a time that changed music, and the city, forever.As the twentieth century drew to a close, New York City felt played out as a cultural capital. A flood of new money had turned downtown into a museum of what used to be cool, a playground for bankers and the dot-com crowd. If you wanted the rock-and-roll life, New York City was the last place you’d move. And yet, in the decade that followed, it would serve as the stage for a radical pop-cultural renaissance. How exactly did this happen? In this riveting oral history told by those who were actually there, playing the music, pouring the drinks, signing the checks, and writing the cover stories, journalist Lizzy Goodman chronicles the rebirth of New York rock. In the early 2000s, the Strokes, Yeah Yeah Yeahs, Interpol, the Moldy Peaches, LCD Soundsystem, and others, who had been honing their craft in obscurity, suddenly became reflections of a newly flush, newly booming town determined to recover from the devastation of September 11. As kids around the world began to dress like they’d been thrifting on Avenue A, it became clear that New York had not only reclaimed its signature rock-and-roll swagger, but had also exported this new incarnation of American cool globally. A second generation was eagerly waiting in the wings: Franz Ferdinand, the Killers, and Kings of Leon, who’d all but given up on breaking out of their provincial corners of the world, got the message that rock was back, and used grotty New York clubs as launching pads on their way to selling out arenas around the world. Meet Me in the Bathroom explores how during this era the music industry was dismantled and then reborn via technology—first by Napster and later iTunes—and how traditional publications like Rolling Stone and Spin were pushed to compete with evangelist bloggers typing feverishly in their underwear, as well as with edgier journalistic upstarts like Vice and Pitchfork. Meanwhile, as the reshaping of the city—technological, aesthetic, cultural, and physical—spread from downtown Manhattan to Williamsburg, Brooklyn, bands like MGMT, Vampire Weekend, TV on the Radio, Grizzly Bear, and Dirty Projectors became the new stars, remaking the idea of New York in their own nerdy image, and helping ensure “I heart Brooklyn” would become the mantra of a new generation. Crafted from nearly two hundred original interviews and curated by a writer who remembers the hangovers herself, Meet Me in the Bathroom follows in the great tradition of the beloved classic Please Kill Me by Legs McNeil and Gillian McCain. Charting the first decade of the 2000s in all its epic and reckless glory, here is a brilliant portrait of a city, an industry, and a generation on the verge of seismic change.
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Product details
Paperback: 640 pages
Publisher: Dey Street Books; Reprint edition (November 13, 2018)
Language: English
ISBN-10: 0062233106
ISBN-13: 978-0062233103
Product Dimensions:
5.3 x 1.4 x 8 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
98 customer reviews
Amazon Best Sellers Rank:
#26,164 in Books (See Top 100 in Books)
Although I have not finished this book yet, I haven't been able to put it down. I have read a few of the critical reviews that do not like the way that the book is written, because it is an oral history full of quotes that are interwoven together to tell the story of various bands throughout the early 2000s. I personally like the oral history aspect, but my recommendation would be go have a bookmark or page marker at the beginning of the book, because they give a brief description of the individuals being quoted throughout the book. In the first 100 pages, I've found myself flipping back and forth quite a bit, because I was not familiar with some of the journalists, promoters, and founders of the various bars/record labels, and they do not provide much of a bio in the quotes. With that being said, do not let the style of the book dissuade you from purchasing. If you're a fan of music like myself, you will have a hard time taking a break from reading this book.
Don’t let the fact that it starts a little slow put you off the book—It is a fantastic oral history and the participants are being HONEST(the key to a great biography!j great stories about the rise of the Strokes, LCD, Interpol, Vampire Weekend. Cool on the road tales and the requisite sex drugs and rock and roll. Also much about the music and how it was made. Loved the stories about Karen O and the Yeah,Yeah,Yeahs! Definitely a long read but worth every page if you’re a music bio fan, Highly recommend. It’s a love story to that time in New York as well.
I don't even care all that much for some of the bands which this book focuses on (LCD Soundsystem, The Strokes), and I still found it nearly impossible to put down. Jam packed with anecdotes (and LOTS of drugs), the book chronicles both the rise of NY music but the changes the city itself underwent during the time period. It's the second best music book I've ever read (Please Kill Me being the first).
Hard to be objective when I love most the bands represented here, but I devoured this book. All the players are at the table--you can read the description--and somehow Lizzy Goodman's got them talking. Sure the parties are a hook, but read for the inspirations which fueled each band, the 60+ characters represented, and the book-long tribute to a city that seems to give each generation its own little present to keep for themselves (and of course later declare better than anyone else's). Bravo to Lizzy Goodman for obtaining an unfathomable participation rate when a half-count would still have made a good book and, in contrast to one reviewer below in need of an author's presence, I say further kudos to Ms. Goodman for having the wherewithal and total lack of ego to let the voices speak for themselves. Her presence is the book. Brilliant work.
A beautiful/funny/n-depth portrait of this music scene, ever-changing NYC and even humanity in general. I'm absolutely obsessed with this book, and you really get to know these pivotal figures -- so many people's idols -- so intimately.James Murphy's first time doing ecstasy... Matt Berninger talking about how The National couldn't be The Strokes because Converse hurt his back and he "was a New Balance Guy already"... the "profound, unbelievable awkwardness that made [the Killers] seem like they were on drugs" - just lots of dancing, fights, insecurity, hookups, heroine, fun, love, youth and really real, HUMAN moments. And lots of laughs.Really can't say enough good things.
An insider's peak behind the curtain of a burgeoning rock scene w/ eventual Rock Stars!(at least for a few years). Very interesting for an outsider who grew up during that time and observed from a distance, but loved the music. It feels very authentic, due to the format and personal stories. The book paints a picture of NY for those who have never visited.This book has inspired me to go back and listen to the music I loved at the time(Yeah Yeah Yeahs), along with introducing me to new bands(Interpol) that I missed. That's all you can ask for in a book; along with being very entertaining.JD
Every scene has its rise and fall. This book places a little too much importance on the NYC crew as the saviors of "rock," but the tapestry of voices (even those the average person will never recognize) make this a really enjoyable foray into a corner of rock history. And the amount of reporting this must've taken is impressive and mind boggling!
A fly-on-the-wall view that captures the dive bars, rock clubs, stiff drinks & hard drugs of the Strokes-era scene, told in needle-drop snippets by the wild ones who lived it — Yeah Yeah Yeahs, Interpol, White Stripes, LCD Soundsystem, Fischerspooner, Moldy Peaches, Ryan Adams, TV on the Radio, Jonathan Fire*Eater, Walkman, and, of course, the Strokes — at that turbulent time when 9/11, the internet, and gentrification would change it all.
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