Minggu, 26 Agustus 2012

Get Free Ebook Blessed America Because My Husband Is Deployed: Military Quotes Journaling Notebook (Military Keepsake Journal)

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Product details

Series: Military Keepsake Journal (Book 2)

Paperback: 106 pages

Publisher: Independently published (October 22, 2018)

Language: English

ISBN-10: 1729119611

ISBN-13: 978-1729119617

Product Dimensions:

6 x 0.2 x 9 inches

Shipping Weight: 7.5 ounces (View shipping rates and policies)

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Amazon Best Sellers Rank:

#592,546 in Books (See Top 100 in Books)

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Selasa, 21 Agustus 2012

Ebook The Book on Flying a Learjet: Joey Jet's Memories

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Audible.com Release Date: February 18, 2015

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Kamis, 09 Agustus 2012

Ebook Free Incidents of Travel in Central America, Chiapas, and Yucatan; Volume 1, by John Lloyd Stephens

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Incidents of Travel in Central America, Chiapas, and Yucatan; Volume 1, by John Lloyd Stephens

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Incidents of Travel in Central America, Chiapas, and Yucatan; Volume 1, by John Lloyd Stephens

Product details

Paperback: 510 pages

Publisher: Andesite Press (August 19, 2017)

Language: English

ISBN-10: 1375468480

ISBN-13: 978-1375468480

Product Dimensions:

6.1 x 1 x 9.2 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

44 customer reviews

Amazon Best Sellers Rank:

#5,939,391 in Books (See Top 100 in Books)

Shockingly shocking! This just arrived. My reaction [one star] is not to the content, which I've barely explored and still believe I'm going to thoroughly enjoy, but is given for the horrible quality of this reprinted version! I bought it partly based on the assurance that it is part of the "Classic Reprint Series" including some stuff about teaming with Microsoft to preserve old and threatened books. This reprint is shockingly shocking! It really looks like somebody had a bad copy from the local library, and then used a bad copy machine to make bad copies of it! Page one (which is numbered page 9 for some reason), for instance, missed the left margin, so the whole page has the left side of the sentence cut off. The author "...embarked on board e British brig Mary Ann, Hampton, master, for the y of Honduras..." Page 10 (remember, these are the first and second pages of the actual text) is such a poor quality copy it can't even be read! The illustrations are fuzzy and have black specs all around them. Today on Amazon it's possible to find the original, in "Used- Very Good" condition volumes 1&2 from 1843, available for $800. Wouldn't it make sense for them to have located the best copy available, copied it with the best technology available and presented that to the happy reader instead of this sorry excuse?

For some reason, Amazon was selling only volume 2 when I bought it for Kindle. I was enthralled at the account of the author's extraordinary 1839 journey from Costa Rica to the Yucatán—while civil war raged throughout Central America—in search of Mayan sites. The author's brilliance and erudition, his dry wit, his affectionate portrayals of locals met en route, his awe and respect for the advanced but ruined civilization he encountered, were enhanced by the meticulous illustrations of Frederick Catherwood.Volume 1 relates the first half of the journey; and, I must say, the lesser half. In its 400+ pages, Stephens and Catherwood explore exactly one Mayan site, Copán. The rest of the pages relate the journey by boat from the U.S. to Belize, onward to Guatemala, overland to the capital, various excursions and diversions, ending with Stephens crossing from Nicaragua to Honduras. A great deal of time is spent on a blow-by-blow account of the civil war which tore Central America, until then a unitary state, into warring fragments. While this would no doubt have fascinated Stephens's contemporary audience, the exhaustive detail may try the patience of all but scholars. Further, plans were underfoot to build a transoceanic canal through Nicaragua; and Stephens spends a great deal of time exploring the region and discussing the plan's feasibility. Up to Teddy Roosevelt's administration, Nicaragua and the Colombian isthmus (now Panama) were both in play as potential sites for such a canal, but we now know how it turned out, and the detail lavished on the losing proposition, again, might strain the lay reader's interest.I would recommend starting with Volume II of this book, and then reading Incidents of Travel in Yucatan. Both are fascinating accounts, chock full of one fascinating Mayan site after another, and offer the thrill of original discovery that Stephens and Catherwood shared during their groundbreaking expeditions.

I have read this book several times and own both the paperback version and the Kindle one. I have recommended it to many friends and have given it as a gift on several occasions as it is a historical must read on Central America.A masterful depiction of Central America in the early 1800's. Easy to read, a travel log that reflects the curiosity of a scholar, but written in a straightforward, easy to read language. Almost naive in some passages, Stephens admires the people and its natural surroundings, describes them vividly from his very American point of view. His relentless commitment to explain and understand better "The Lost Civilization" in Meso-America is a timeless inspiration.Lawyer, Diplomat, Explorer and Entrepeneur, he played a role as a precursor of the Panama Canal, the Panama Isthmus Railroad, which served as a shorter, safer route to California. This books tell us of the times just before big things were about to happen in Central America and at worldwide scale.The contributions of this book to Maya archaeology are huge (the detailed descriptions and beautiful drawings by Frederick Catherwood of Maya sites), basically by putting many archaeological remains later looted in its original context. A must read for archaeology students around the world and for anyone interested in Central America in the 19th Century. Mr. Stephens, your place in history is guaranteed through this book, the others you wrote and your contributions to the cause of a inter-oceanic route through Central America and the advancement of Maya archaeology.

This classic account of John Lloyd Stephens' journey through Central America and Mexico in the 1830s has never been cheaper, but at the "cost" of missing the Catherwood illustrations. What do you want for 99 cents, I know. The text was obviously scanned but not proofed as there are numerous typos. Despite its faults, Stephens' indomitable spirit--persisting through revolution, horrendous roads, stubborn animals, malevolent natives, and the political convulsions endemic to the region--can only leave lesser mortals in awe.Note that this is Vol. 2, and Vol. 1 is not available on Kindle at this time. Vol. 2 opens in the midst of a revolution in Central America, and Stephens refers to characters and events assuming the reader is already familiar with them. Once past the first few chapters, though, we are carried along by unfolding events.

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Review

“Lizzy Goodman’s deliciously over-reported oral history of early-aughts New York rock, was a monument to the scuzzy magic that occurs when youth, hedonism, ambition, and talent coincide.” (New Yorker)“An evocative and gossipy oral history…Not only was Ms. Goodman there…but as our revelatory tour guide, she shrewdly jogged the memories of her protagonists…The result is an affectionate, idiosyncratic narrative of the rock scene’s erratic evolution.” (New York Times)“beautifully paced, vivid, informative and compelling… a book primarily built on passion, love and homage – a drawled rock’n’roll sonnet to the music, the bands, the city, the scene, the triumphs, the screw-ups, and, of course, ‘the moment’.” (The Guardian)“Lizzy Goodman has produced an instant classic...All the Strokes, LCD Soundsystem, Yeah Yeah Yeahs and Ryan Adams gossip you’ve ever wanted to know is right here in this epic, loving look at a very different New York City.”  (Rolling Stone)“Meet Me in the Bathroom is the juiciest book on rock’n’roll in years…a thrilling, hilarious, gossip-fueled account”  (Pitchfork)“Spectacular.” (Playboy)“The first great history of new york’s 21st century rock scene...thoroughly entertaining…engrossing…Meet Me in the Bathroom is a wonderful reminder that the next big thing can be right around the corner.” (Spin)“I devoured Meet Me in the Bathroom . . .That’s what it feels like to read this oral history, as if you’re in a bar or living room with all these people reminiscing and eavesdropping on all the juicy details. A perfect beach read, if there ever was one.” (Laia Garcia, Lenny Letter)“[A] gossip-fueled, engaging oral history” (Publishers Weekly)“As far as I’m concerned this book is one of the truly great New York stories.” (Rob Sheffield, The Village Voice)

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From the Back Cover

From the clubs of New York’s Lower East Side to the warehouses of Williamsburg—a time that changed music, and the city, forever.As the twentieth century drew to a close, New York City felt played out as a cultural capital. A flood of new money had turned downtown into a museum of what used to be cool, a playground for bankers and the dot-com crowd. If you wanted the rock-and-roll life, New York City was the last place you’d move. And yet, in the decade that followed, it would serve as the stage for a radical pop-cultural renaissance. How exactly did this happen? In this riveting oral history told by those who were actually there, playing the music, pouring the drinks, signing the checks, and writing the cover stories, journalist Lizzy Goodman chronicles the rebirth of New York rock. In the early 2000s, the Strokes, Yeah Yeah Yeahs, Interpol, the Moldy Peaches, LCD Soundsystem, and others, who had been honing their craft in obscurity, suddenly became reflections of a newly flush, newly booming town determined to recover from the devastation of September 11. As kids around the world began to dress like they’d been thrifting on Avenue A, it became clear that New York had not only reclaimed its signature rock-and-roll swagger, but had also exported this new incarnation of American cool globally. A second generation was eagerly waiting in the wings: Franz Ferdinand, the Killers, and Kings of Leon, who’d all but given up on breaking out of their provincial corners of the world, got the message that rock was back, and used grotty New York clubs as launching pads on their way to selling out arenas around the world. Meet Me in the Bathroom explores how during this era the music industry was dismantled and then reborn via technology—first by Napster and later iTunes—and how traditional publications like Rolling Stone and Spin were pushed to compete with evangelist bloggers typing feverishly in their underwear, as well as with edgier journalistic upstarts like Vice and Pitchfork. Meanwhile, as the reshaping of the city—technological, aesthetic, cultural, and physical—spread from downtown Manhattan to Williamsburg, Brooklyn, bands like MGMT, Vampire Weekend, TV on the Radio, Grizzly Bear, and Dirty Projectors became the new stars, remaking the idea of New York in their own nerdy image, and helping ensure “I heart Brooklyn” would become the mantra of a new generation. Crafted from nearly two hundred original interviews and curated by a writer who remembers the hangovers herself, Meet Me in the Bathroom follows in the great tradition of the beloved classic Please Kill Me by Legs McNeil and Gillian McCain. Charting the first decade of the 2000s in all its epic and reckless glory, here is a brilliant portrait of a city, an industry, and a generation on the verge of seismic change.

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Product details

Paperback: 640 pages

Publisher: Dey Street Books; Reprint edition (November 13, 2018)

Language: English

ISBN-10: 0062233106

ISBN-13: 978-0062233103

Product Dimensions:

5.3 x 1.4 x 8 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

98 customer reviews

Amazon Best Sellers Rank:

#26,164 in Books (See Top 100 in Books)

Although I have not finished this book yet, I haven't been able to put it down. I have read a few of the critical reviews that do not like the way that the book is written, because it is an oral history full of quotes that are interwoven together to tell the story of various bands throughout the early 2000s. I personally like the oral history aspect, but my recommendation would be go have a bookmark or page marker at the beginning of the book, because they give a brief description of the individuals being quoted throughout the book. In the first 100 pages, I've found myself flipping back and forth quite a bit, because I was not familiar with some of the journalists, promoters, and founders of the various bars/record labels, and they do not provide much of a bio in the quotes. With that being said, do not let the style of the book dissuade you from purchasing. If you're a fan of music like myself, you will have a hard time taking a break from reading this book.

Don’t let the fact that it starts a little slow put you off the book—It is a fantastic oral history and the participants are being HONEST(the key to a great biography!j great stories about the rise of the Strokes, LCD, Interpol, Vampire Weekend. Cool on the road tales and the requisite sex drugs and rock and roll. Also much about the music and how it was made. Loved the stories about Karen O and the Yeah,Yeah,Yeahs! Definitely a long read but worth every page if you’re a music bio fan, Highly recommend. It’s a love story to that time in New York as well.

I don't even care all that much for some of the bands which this book focuses on (LCD Soundsystem, The Strokes), and I still found it nearly impossible to put down. Jam packed with anecdotes (and LOTS of drugs), the book chronicles both the rise of NY music but the changes the city itself underwent during the time period. It's the second best music book I've ever read (Please Kill Me being the first).

Hard to be objective when I love most the bands represented here, but I devoured this book. All the players are at the table--you can read the description--and somehow Lizzy Goodman's got them talking. Sure the parties are a hook, but read for the inspirations which fueled each band, the 60+ characters represented, and the book-long tribute to a city that seems to give each generation its own little present to keep for themselves (and of course later declare better than anyone else's). Bravo to Lizzy Goodman for obtaining an unfathomable participation rate when a half-count would still have made a good book and, in contrast to one reviewer below in need of an author's presence, I say further kudos to Ms. Goodman for having the wherewithal and total lack of ego to let the voices speak for themselves. Her presence is the book. Brilliant work.

A beautiful/funny/n-depth portrait of this music scene, ever-changing NYC and even humanity in general. I'm absolutely obsessed with this book, and you really get to know these pivotal figures -- so many people's idols -- so intimately.James Murphy's first time doing ecstasy... Matt Berninger talking about how The National couldn't be The Strokes because Converse hurt his back and he "was a New Balance Guy already"... the "profound, unbelievable awkwardness that made [the Killers] seem like they were on drugs" - just lots of dancing, fights, insecurity, hookups, heroine, fun, love, youth and really real, HUMAN moments. And lots of laughs.Really can't say enough good things.

An insider's peak behind the curtain of a burgeoning rock scene w/ eventual Rock Stars!(at least for a few years). Very interesting for an outsider who grew up during that time and observed from a distance, but loved the music. It feels very authentic, due to the format and personal stories. The book paints a picture of NY for those who have never visited.This book has inspired me to go back and listen to the music I loved at the time(Yeah Yeah Yeahs), along with introducing me to new bands(Interpol) that I missed. That's all you can ask for in a book; along with being very entertaining.JD

Every scene has its rise and fall. This book places a little too much importance on the NYC crew as the saviors of "rock," but the tapestry of voices (even those the average person will never recognize) make this a really enjoyable foray into a corner of rock history. And the amount of reporting this must've taken is impressive and mind boggling!

A fly-on-the-wall view that captures the dive bars, rock clubs, stiff drinks & hard drugs of the Strokes-era scene, told in needle-drop snippets by the wild ones who lived it — Yeah Yeah Yeahs, Interpol, White Stripes, LCD Soundsystem, Fischerspooner, Moldy Peaches, Ryan Adams, TV on the Radio, Jonathan Fire*Eater, Walkman, and, of course, the Strokes — at that turbulent time when 9/11, the internet, and gentrification would change it all.

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Rabu, 01 Agustus 2012

Free PDF , by Debora L. Stewart

Free PDF , by Debora L. Stewart

It is also what you will obtain from getting this publication as referral to enrich your high quality as well as knowledge. It will show you just how kind a publication is. Every sentence and also every page of this , By Debora L. Stewart will reveal you new point. It will not compel you to know or bear in mind all sentences. The most points to constantly remember is the lesson or message that is told in this publication.

, by Debora L. Stewart

, by Debora L. Stewart


, by Debora L. Stewart


Free PDF , by Debora L. Stewart

Preparing the books to review daily is delightful for many people. Nonetheless, there are still many people that also don't like analysis. This is a trouble. Yet, when you could sustain others to start analysis, it will certainly be better. One of guides that can be suggested for new readers is , By Debora L. Stewart This book is not kind of tough publication to check out. It can be read as well as recognize by the new visitors.

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, by Debora L. Stewart

Product details

File Size: 33458 KB

Print Length: 130 pages

Publisher: North Light Books (April 8, 2015)

Publication Date: April 8, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00UMBOB16

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Amazon Best Sellers Rank:

#199,586 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I have tried to move on from realistic art to abstract mixed media for over 5 years now, and I admit I'm still frustrated. This book is the best by far I have come across that I believe will move me ahead in my mixed media pursuit in abstract style finally achieving success.

If your eyes are aging or you don't have a strong light source, you will likely be unable to read this book, at least comfortably. Even if you do, I can't imagine it will be much fun, given I could barely see the fine light gray print, and didn't have a lighted magnifier handy. The text was poorly done. Too bad, since I like the artist's work.

There are a million books on acrylic - I was fortunate to choose this one based on just one review . It is a cleardescription emphasizing the use of acrylic underpainting in connection with pastel. I purchased the kindle version withSome trepidation, but I was pleasantly surprised by the quality of the illustrations accompanying the text'.

This book displays exceptionally beautiful paintings while also providing clear explanations of technique along with exercises to do on your own. Visually glorious plus instructional. It doesn't get any better than that!

I love this book , all demos are clearly written and have started to use her techniques which are a lot of fun. I would recommend this book to anyone interested in giving Abstract Art a go and want to know more.

Slightly confusing but she has a class on artist network that demonstrates the procedures she discusses in the book.

Deborah Stewart's book drew me in with its thought provoking prose and its compelling and dramatic artwork. Her technical examples and explanations were spot on. As a painter,myself, this is a book worth keeping, not only referring to from time to time. I congratulate her for writing an innovative, inspiring, and motivational book. Another plus--it's informative!

Really like it! Learning that abstract art is anything but abstract, with careful consideration given to its elements. Gorgeous images and clearly written text.... highly recommend.

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